Saltar para: Post [1], Pesquisa e Arquivos [2]
This is a very brief and simple post. Our third semantic level deals with the change from four doves in the coin of King Edward to five martlets in his attributed arms. For the second time in all our analyses, like in the first semantic level, C(e) roi ~ Crois, the referent's metonymizes Edward with his status; then as a king, now as a saint. Maybe these examples were just another method to build the metonymy of the referent but the fact is that we were able to identify only a few. The overwhelming majority use geographical metonymizations.
It's also the first time during this analysis that we (slightly) changed the verbalizing agent, Old French, to the language of conquest then still used in England, Anglo-Norman. Even despite almost three hundred years of coexistence since William the Conqueror crossed the Channel.
Hence, the parophony is achieved with Seint (ano. saint) ~ Cinc (ano. five); its discretion index is k = 0. Don't let the writing mislead you, the sounds are effectively [sẼ] ~ [sẼ]. Observe that cinc alone is pronounced [sẼk], but it has the sound of [sẼ] if placed before merlés (ano. martlets) or any other substantive plural starting with a consonantal sound in modern French.
Now we are able to understand that, as the coins were minted in the lifetime of the king, there was still no reason for describing his status as a saint. The doves, however, previously performed the parophony Edouard ~ Et due harde, as appears in his silver penny. Their number was then just an adaptation of the idea of a flock to the available “slots” around the cross.
But now we have a straightforward specification: five birds must be seen. The arrangement used for this purpose was an extra space at the base of the shield, unavailable at the coin, in order to place the fifth martlet. There is nothing more to be said. The idea of “five” follows the emergence of the designant until its accomplishment as five birds. There is no room for misinterpretations on the way.
CLASSIFICATION | ↓ | DESCRIPTION | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Attributed Arms | R | Edward the Confessor | ||||||||||
Status | M | Saint | ||||||||||
Language of Conquest | V | Anglo-Norman | ||||||||||
Denominant | A | Seint | ||||||||||
Graphemization | A | S | E | I | N | T | ||||||||||
Phonemization | A | s | Ẽ | ||||||||||
Pairing | A | s | Ẽ | ||||||||||
A | s | Ẽ | |||||||||||
Coefficient of transposition | A | 0.0 | 0.0 | ||||||||||
Coefficient of character | A | 0.0 | 0.0 | ||||||||||
Coefficient of position | A | 0.0 | 0.0 | ||||||||||
Addends | A | 0.0 | 0.0 | ||||||||||
Discretion index | A | k = 0.0 | ||||||||||
Phonemization | A | s | Ẽ | ||||||||||
Graphemization | A | C | I | N | C | ||||||||||
Designant | A | cinc | ||||||||||
Quantity | E | five | ||||||||||
Simple monosemy | S | five | ||||||||||
S | five | |||||||||||
Tincture | H | Azure | ||||||||||
Number | H | a | ||||||||||
Figuration | H | cross | ||||||||||
Aspect | H | flory | ||||||||||
Placement | H | cantoned with | ||||||||||
Number | H | 4 | four | |||||||||
Figuration | H | martlets | ||||||||||
Connective | H | four + another | and | |||||||||
Number | H | 1 | another | |||||||||
Placement | H | in base | ||||||||||
Tincture | H | or |
(next article in this series is IV/VI)