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Sagremor: Tincture Gules (3/3)

Published by Carlos da Fonte, em 13.07.12
Sagremor - Attributed Arms

We end the study of Sagremor's arms with the first semantic level, the appropriate order to show their organization. This doesn't mean that the author of the blazon has adopted any predetermined sequence. On the contrary, he must have tried several possibilities before completing his work. The parophony is described by Ungaria (lat. Hungary) ~ Ungo (lat. smear with oil) area (lat. area), maybe the most obvious of all three parophonies due to the nickname of Sagremor: the Hungarian. Its visual consequence is rather simple, nearly demanding other components to fill the excessive modesty of a plain shield in red. It must be added that a low discretion index was found: k = 0.25, quite reasonable as before. During the evaluation of this indicator we used the diphthongation of oa inside ungo area, pairing with Ungaria to be transformed into Ungoarea.

 

The theme of this parophony seems to avoid the habits acquired in Aquincenses ~ Ac quini sentes and in Danubius ~ Da nubis. The indirect composition of the “sky” is took for granted in the background of the stars and the cloud. This disengagement is true regarding the parophony's sematization but not in its enactment itself. A red sky is perfectly feasible during twilight. The occasion will also admit the sight of a cloud and any brighter stars or planets. Nonetheless, ungo is first applied to the surface of the shield specified with area, only then it can be assigned to the heavens as a natural consequence of an admittedly coherent visual structure. The sematization establishes the metonymy:

 

area > field > shield's field > shield.

 

We may find a quote of an “anointed” shield in the Second Book of Samuel: “... For there the shield of the mighty was defiled, the shield of Saul, anointed with oil no more ...”[1]. A shield made of wood and covered with leather, as in medieval times, demanded a good maintenance and a periodical protection. But it's not the oil that will colour the artefact used by Sagremor but the implicit idea of being made or coated in leather, therefore with a reddish or brownish coloration, likely to inspire the red tincture of a heraldic shield.

 

The chromatic configuration seems to be arbitrary but this impression disappears after examining our former analyses in depth. A selection of convenient natural colours for the stars outside the quarter will give yellow, white or blue. Likewise the cloud could be white or black, whereas the shield in tanned leather would only allow red. Regarding the covered star it would consent black or maybe white as a “bleaching” of the other stellar tincture, eventually a representation of darkness or fading. A few possibilities exist, we dispose the colours by order: stars + field + quarter + star in the quarter.

 

Azure + Gules + Sable + Argent (no)
Azure + Gules + Sable + Sable (no)
Azure + Gules + Argent + Argent (no)
Azure + Gules + Argent + Sable (no)
Or + Gules + Sable + Argent (no)
Or + Gules + Sable + Sable (no)
Or + Gules + Argent + Argent (no)
Or + Gules + Argent + Sable (yes)
Argent + Gules + Sable + Argent (no)
Argent + Gules + Sable + Sable (no)
Argent + Gules + Argent + Argent (no)
Argent + Gules + Argent + Sable (yes)

 

We may see that only two of the twelve hypotheses are completely acceptable. Most of the options are rejected with the application of the law of contrasts. Two other will be at the limit of acceptability due to the inclusion of a black cloud, which we deem less adequate. Besides they show red next to black, although sometimes these tinctures may be found together in heraldry. Finally, two successful combinations remain of which one repeats the same colour in the cloud and in the paired stars. The eighth arrangement is semantically richer, not surprisingly coincident with the actual blazon of Sagremor.

 

We may be tempted to associate ungo with the ointment used in a royal coronation, as Sagremor descended from the marriage of the king of Hungary with the daughter of the emperor of Constantinople. Even so, the experience advises us to keep the semantic levels of parophony apart from this strict biographical level, yet if only imaginary. The accomplishment of the drawing is isolated from any personal affinity except those established by the metonymization of the referent. In cases where the choice of several heraldic traces is allowed we've noticed a preference for the stylish tendencies of the time, instead of the personal life of an individual. Note that this doesn't happen with evocative arms.

 

Despite that, we considered the very name of Sagremor with a solution like Sagremor ~ Sacre (fra. coronation) en or (fra. in gold), abiding by the usual procedures, nevertheless. At least this time the anointing would be linked with the enthronement of his ancestors and we could imagine the stars as spots of oil on the royal clothing in red, a colour already used in medieval ceremonies. The component en or would concern the objects needed to keep and apply the ointment, also described by early sources. This solution conflicts with the semantic level proposed before, which favours ungo as an ordinary utilitarian action. Further, we would have to explain the quarter and the black star, a problem unlikely to be solved. It's preferable to imagine here an entirely textual interpretation, redundant with our exposition, not at all attached to the visual semantics. We must wait for more research on the Knights of the Round Table to decide on the presence of a common pattern including the names of the bearers of the arms.

 

[1] 2 Sm 1, 21.

 

 

CLASSIFICATION DESCRIPTION
Attributed Arms R Sagremor
Territory M Hungary
Imaginary Language V Ungaria (latim)
Denominant A Ungaria
Graphemization A U | N | G | A | R | I | A
Phonemization A u | N | G | a | 4 | i | a
Pairing A u | N | G | a | 4 | i | a
A u | N | G | oa | 4 | e | a
Coefficient of transposition A 0.0 | 0.0 | 0.0 | 0.0 | 0.0 | 0.0 | 0.0
Coefficient of character A 0.0 | 0.0 | 0.0 | 0.5 | 0.0 | 0.5 | 0.0
Coefficient of position A 0.0 | 0.0 | 0.0 | 1.0 | 0.0 | 1.0 | 0.0
Addends A 0.0 | 0.0 | 0.0 | 0.5 | 0.0 | 0.5 | 0.0
Discretion index A k = 0.25
Phonemization A u | N | G | o | | a | 4 | e | a
Graphemization A U | N | G | O | | A | R | E | A
Designant A ungo | area
Action + Geometry E smear with oil + area
Simple monosemy S red
S smear the shield with oil
Simple metonymy S area > field > shield's field > shield
Tincture H reddish Gules
Immanence C leather
Contrast C or, argent
Number H two
Figuration H mullets (of five points)
Tincture H or
Connective H and
Placement H on
Number H a
Separation H quarter
Tincture H argent
Number H a
Figuration H mullet
Tincture H sable
Number H (the three mullets)
Disposition H (set two and one)

 

(next analysis in this blog is here)

Autoria e outros dados (tags, etc)

Published at 17:35

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© Carlos Carvalho da Fonte 2009-2017


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